Career

a female dancer wearing a blue long sleeved shirt stretching to the side with her arms in 4th position

Dancer Spotlight

New York City Ballet Dancer Christina Clark Is Celebrating Every Stage

Olivia Manno

Dancer Spotlight

Dance Theatre of Harlem’s Ingrid Silva Shares How She Feels Safe and at Home When Dancing Onstage

Ingrid Silva

Brinda Guha, Amanda Castro, and Arielle Rosales are lit in pink and purple light as they perform as Soles of Duende at the front of a small stage, two seated percussionists and a guitarist visible behind them. Guha raises an arm to the sky as she looks intensely out at the audience. Castro looks focused as she taps, hands separated but poised to clap. Rosales opens her arms wide in invitation, chin ducked as she looks challengingly out at the audience.

Cover Story

Sole Sisters: The Cross-Cultural Collaboration Soles of Duende Offers Just the Kind of Art We Need Right Now

Jennifer Heimlich

The February 1949 cover of Dance Magazine in triplicate. Janet Collins perches atop a pillar, knees bench and feet arched, her arms coming to middle fifth. She wears an elaborate but fitted costume and headpiece. Her image is in black and white, cut out against a red background. Cover lines to the left read, "Call Tomorrow by Jack Cole, Dancing in Israel, and The Dancer's Anatomy."

Dance History

TBT: Why Black Ballerina Janet Collins Turned Down the Ballet Russe de Monte Carlo

Courtney Escoyne

two male dancers and one female on stage extending their leg a la seconde

Career

What to Consider Before Auditioning for a Potential Employer

Kathryn Holmes

a female instructor leading young dancers in a studio

The Creative Process

Dionne Figgins on Providing Supportive Dance Education in New York City Public Schools

Kate Mattingly

Career

Dancer Diary: What It’s Like to Write for Dance Magazine

Haley Hilton

a large group of dancers performing a kickline in rehearsal

Auditions

If at First You Don’t Succeed…Learn How to Navigate Return Auditions

Rachel Caldwell