Cover Story

Hubbard Street dancers Aaron Choate, Alexandria Best, and Shota Miyoshi form an interconnected, dancerly tableau against a gray background. Choate wears a black deep-V top and pleated white skirt; Best wears a vivid orange long-sleeved top and white pants; Miyoshi wears a black sleeveless crop top and black bottoms.

Cover Story

Hubbard Street Dance Chicago Is Returning to Stability—And Its Roots

Lauren Warnecke

Cover Story

Kolton Krouse Blazes Their Own Trail On Broadway and Beyond

Margaret Fuhrer

Tai Jimenez, Robert Garland, and Virginia Johnson pose together seated on a green velvet couch. Jimenez, perched on the back, leans back against Garland as she stretches an arm overhead, posing as though she's singing karaoke. Garland wears a wry smile as he kicks a sneakered foot out towards the camera. Seated below them, Johnson smiles warmly, exuding elegance and calm.

Cover Story

Dance Theatre of Harlem’s New Leadership: A Conversation With Virginia Johnson and Robert Garland

Caitlin Sims

Tai Jimenez grins at the camera as she sits, legs folded under her, on a green velvet couch. She rests her chin in her hand, elbow propped on top of her knee. Her grey and black hair is shaved to a fade on the sides, the tight curls short on top. She wears a grey striped dress, white sneakers with black laces, and bright green socks.

Cover Story

Tai Jimenez on Leading the DTH School

djassi daCosta johnson

On a dark stage, a female dancer in a warm orange leotard and short skirt leaps beside a lunging male dancer dressed in a short sleeved shirt and fitted pants in the same color. Both look over their front arms, in first arabesque, towards stage right.

Cover Story

Dance Theatre of Harlem’s Enduring Impact

djassi daCosta johnson

Chun Wai Chan, a 30-year-old Chinese man, is captured in an off-kilter balance against a white backdrop. A beautifully arched foot tucks behind his standing knee as he tips off of relevé. His arms sculpt a rectangle in the space beyond his supporting hip. He lowers his chin to gaze intently at the camera. He wears a purple-pink unitard with an airy white stripe down the hip that fades into black at the calf.

Cover Story

Chun Wai Chan, New York City Ballet’s First Chinese Principal, Brings Hunger and Humility to His Multinational Career

Margaret Fuhrer

New York, New York cast members Clyde Alves, Akina Kitazawa and Ashley Blair Fitzgerald pose together against a white backdrop. Alves raises one foot to parallel passé, arms curling across his chest and overhead as he smirks over his shoulder. Fitzgerald stands with a beveled foot, smiling over her shoulder in his direction as she sits into her hip. Between them, Kitazawa gives a close-mouthed smile to the camera, bent knees knocking together in an exaggeratedly cutesy pose, one hand at her chin and the other stretching down toward her knees. All three wear varied black outfits that wouldn't be out of place in a jazz class.

Cover Story

Susan Stroman and Her Team Put the “New” in New York, New York, Reimagining the Movie for Broadway Today

Sylviane Gold

Chyrstyn Fentroy poses in tendu effacé devant, standing leg in plié. Her gaze is downturned as her épaulement shifts her torso over her working leg, downstage arm extending elegant and long beside her. She wears a pale purple classical tutu over tights and pointe shoes that match her skin tone.

Cover Story

Boston Ballet Principal Chyrstyn Fentroy Steps Into Her Power

Lydia Murray